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The Beastly Ballad Of Train​-​wreck Mossadegh

from Bedouin Cowboy (made entirely on iPhone 6) by Muhammad Seven & The Spring

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lyrics

THE BEASTLY BALLAD OF TRAIN-WRECK MOSSADEGH

Fifteen men on a dead man’s chest
I’m a bad, bad boy
I shot those suckers and I’ll shoot the rest
But I take no joy

They call me Johnny-lee
Rock-n-roll
Hooker with a heart of gold
Baby I’m’a do what I please

They call me train-wreck Mossaddegh
Heavy hangin’ to the left
Baby I’m’a do what I please
Woah-oh, woah-ohhhhh…

Fifteen men on a dead man’s chest
I shot those suckers and I’ll shoot the rest
Most illinest B-boy
I got that feelin’
I am most ill
And I’m rhymin’ and steelin’

Ali Baba and the fourty thieves
I’m a bad, bad boy
Now that’s my great-grandfather so you best believe
I’m a bad, bad boy

I am a red alert, Terror-threat
Martial law is in effect
Lover, if you know what I mean

I am a purple heart, work of art
Sleepin’ in a city park
Lover so you better come clean
Woah-oh, woah-ohhhhh…

Ali Baba and the fourty thieves
Now that’s my great-grandfather so you best believe
Most illinest B-boy
I got that feelin’
I am most ill
And I’m rhymin’ and steelin’

Their pistols are loaded, they shot Abu-bakr
They’re some bad, bad boys
So I threw Colonel Sanders into
Davy Jones locker
Man I had no choice

I’m on a rashidun honeymoon
Gotta make some money soon
Baby I got bills to pay
I’m on a rebel yell, kiss and tell
Tell ‘em all to go to hell
Mission so get out of my way
Woah-oh, woah-ohhhhh…

Pistols are loaded, they shot Abu-bakr
So I threw Colonel Sanders into Davy Jones locker
Most illinest B-boy
I got that feelin’
I am most ill
And I’m rhymin’ and steelin’

credits

from Bedouin Cowboy (made entirely on iPhone 6), released April 1, 2016

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about

Muhammad Seven & The Spring New York, New York

M7 is a blue collar Americana songwriter hailing from Boston, MA and currently living in the Finger Lakes region of New York. The son of an Iranian immigrant father and French-Canadian mother, he and his music were born in the fallout of the '79 Islamic Revolution and the Regan/Bush era, and draw influences from '60s protest music, '70s rock and roll, '80s pop, '90s hip hop and 20th century folk. ... more

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